Chaos over securing digital rights for “enhanced” ebooks

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The Bookseller notes today that authors and their agents are struggling with publishers over just how broad a reach current contracts should have when it comes to ebook rights, particularly so-called “enhanced” ebooks that contain content that’s not available in print.

Some publishers–Hachette, for example–want everything; authors and their agents want to divide it up so that they can negotiate more precise, and potentially more profitable, royalties. Here’s how agent Jim Gill of United Artists puts it:

He said while some basic enhancements might be covered by an existing grant of ebook rights, “beyond that we’re talking about very sophisticated products which don’t resemble at all what we’d all understand to be ‘a book’ licensed under a volume-rights agreement”. Gill added United Agents would “no sooner naturally sell those rights to a book publisher than we’d sell them film rights.”

I’ve grown increasingly less convinced that existing publishing cabals are capable of being leaders in yet-to-be-developed digital publishing platforms or formats.

If the history of commerce on the Internet is at all predictive, then we probably have a good ten years before big publishers bring the right big guns to the fight and suck up the majority of the market. That leaves a lot of time for disruptive newcomers to transform the marketplace significantly enough that they emerge as permanent and powerful market leaders. See: Amazon this past decade.

Plenty of authors don’t want to worry about the business side of writing and publishing, which is why agents and publishers exist of course. But I’d caution any writer to hold as tightly to undefined rights as possible and to keep it out of a publisher’s hands–not so you can negotiate higher royalties down the line, but so you can experiment rapidly with new digital distribution methods without being hampered by slow-to-react corporations.

“Agents and publishers grapple over ‘enhanced’ e-book rights” [The Bookseller]

(Photo: einalem)

How novelists write: the WSJ asks writers to share their methods

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The random word-formation method. (Photo: Laineys Repertoire)

Muji notebooks, fountain pens, 30″ Mac monitors, tape recorders, voice recognition software, colored ribbons, index cards, French lined paper, and cheap school exam books are some of the various tools you can use to write a novel, according to the Wall Street Journal.

This isn’t really about ebooks or “the future of publishing,” but it’s an entertaining look at how writing happens, and how people combine old and new technologies in unique ways to fuel the creative process.

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Screens: Jane Austen

Thomas K. wrote, “Is there any chance you just might find a picture good enough for our kindle of Jane Austen?”

Screen: Edgar Allen Poe #2

Here’s a larger version of Poe, looking sufficiently melancholy. Probably thinking of what rhymes with sepulchre or something like that.

Screen: Edgar Allen Poe #1

A reader asked me about a Poe screensaver, so I decided to make one. My god, he looks gloomy. That’s Poe for ya.

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